Moon Machines is on the Science Channel this week – the companion series to In the Shadow of the Moon. I wrote the music for the series last year which aired on the Discovery Channel.
Henry Mind of a Tyrant continues its run on Channel 4 this evening at 9pm with the second episode – Warrior. Channel 4 have put a series of short films, images and even (oh no…) an interview with yours truly at this site. Don’t forget the soundtrack is a free listen on this site.
Sergio is going to be shown at HotDocs in Ontario – click here for more details.
Lots of people (hundreds in fact!) have downloaded the sheet music for Crystallised Beauty this week, and I’m asking for suggestions for the next piece to be made available. Let me know at this page!
On this site, I’ve put up a couple more archive album tracks;Aqua Voce now online, together with Penitential Psalm.
Thanks for all the messages and comments – it’s great to hear from you…
Lily Donaldson video by Nick Knight & Ruth Hogben for ShowStudio using Mechanical Waltz by Philip Sheppard
I’ve been involved with a few projects with Nick Knight and his team at ShowStudio – despite my being to the fashion world what Boris Johnson is to speed skating…
The most insanely enjoyable of these was a project where we made 24 films in 24 hours – where the great John Gosling (Mekon) and I provided the live music. I ended up being styled by the head of YSL – Stefano Pilati (I was probably the chubbiest person he’s ever dealt with) and the whole photoshoot & film shoot was turned into a catalogue for Yves Saint Laurent.
He’s a real gent.
Just found a scene from that session… Jessica Miller looks at me as if she’s used to being written on while a random cellist plays at her…
There are some new tracks added this week from past albums including Harrison’s Chronometer which I released as the other track on the EP length Glass Cathedral album, way back in 1999.
You’ll find them all in the sidebar to the right under Pages, including The Diver in the Crypt and In-I stage show.
Soon to come… the score of Sacred Monsters, (the Sylvie Guillem Akram Khan dance piece) and a very weird piece I wrote about the Venetian Underground System…
I like sites with long streamed mp3s where I can listen to music while I work – kind of webpage radio stations for each album, show or film project (where I own the tracks or have permission from the publishers). I’ve had lots of nice requests for the scores to recent stage shows, and I don’t want to charge people for the music – especially if they’ve already paid for a ticket!
I’ve had a really encouraging response from posts such as this.
So.. I’ll post tracks along with all their associated images and artwork.
So far, lead tracks from The Glass Cathedral and Diver in the Crypt are up. Their B sides, and other album tracks will get posted soon, but I’ll also be adding the full sets of Jane Austen piano pieces, more electric cello works, string pieces and recent stage shows.
Sacred Monsters which starred Sylvie Guillem and Akram Khan will be put here soon, as a partner toIn-Iwhich is getting nice reviews for the score – it’s playing this week at the Sydney Opera House.
Transmission dates for the new David Starkey series on Channel 4 are to be announced soon, as well as news about Moon Machines, Shadow of the Moon and a recent project, Dream with Korean Director Kim Ki-Duk.
In the meantime here’s a string orchestra piece (written in Suffolk..!) called Primary Colours:[Audio http://radiomovies.files.wordpress.com/2009/02/01-primary-colours.mp3]
So… The Jane Austen lovers have come out in force behind a certain piece of piano music, In-I has opened at the Sydney Opera House – and the score / soundtrack is now online here and Channel 4 are to shortly announce the transmission dates of David Starkey’s new series on Henry VIII - the Mind of a Tyrant.
Meanwhile I’ve started to put my albums online. I realised that it was ten years since I recorded The Glass Cathedral, and so I’ve decided to release it as a one tune radio station.. okay, so it’s actually a webpage with a Piranesi engraving and a tune… but, as with the dance scores, i like the idea of people being able to dial it up and listen. A lot of people have paid to see concerts, films, shows – for which I’m really grateful… why should I ask people for more money, and anyway, what’s wrong with giving the odd tune away?
I’ve just found something on youtube that I’ve been searching for for years – literally…
I’ve been so lucky to have been able to play the cello with some of the most amazing musicians, but by far the greatest was Jeff Buckley. Of course he’s shot up the charts recently through his beautiful cover of Leonard Cohen’s Hallelujah – surely the antithesis of X-Factor..?
This is Henry Purcell’s Dido’s Lament from Dido and Æneas. But listen to this – Just. listen. to. it…
I mean, no-one can sing like that. No-one should be physically able to sing like that.
Jeff Buckley singing, withpianist Catherine Edwards, violinist Ian Belton and me on cello, in Elvis Costello’s Meltdown Festival, July 1st 1995.
I remember, this singer arrived really late, just before the show, dishevelled, all cheekbones, cool hair, black jeans and the biggest boots you’ve ever seen supporting a rake thin body.
He apologised – got out his music – a kid’s exercise book with the lyrics of the songs written out in a crazy biro scrawl. – If a word was written high up the page, well then it meant it was a high note.
At one point he asked me what country he was in… he was confused between Germany and the UK that day as I think he’d flown in with little sleep.
And then he sang.
As Elvis Costello remembers;
When he started singing Dido’s Lament at the rehearsal, there were all these classical musicians who could not believe it. Here’s a guy shuffling up on-stage and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he’s just singing, not doing it like a party piece, but doing something with it.
That’s an understatement… I remember the lights being pretty bright and the silhouette of his frame as he bent almost double to wrench every ounce of meaning from a song written 300 hundred years ago. Better than any classical musician I’ve ever heard.
As he was singing, a photographer shuffled along past the feet of the audience in the front row at the Queen Elizabeth Hall to get a shot, unaware that they were for that second the most hated person in London, and got a good clout round the head for their troubles from someone who should remain nameless.
I can’t remember anything straight after that, but Elvis Costello wrote in Mojo:
My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who’d never met before – Fretwork, the viol group, a classical pianist and some jazz player – all talking and laughing about music. He’d charmed everybody. I’d much rather remember that than anything.
I just wish i could find a photo…
Here’s an extract from a Radio 4 Documentary when I talked about it: