
Image by Angus Clyne
Here’s another track from The new album I wrote with Evelyn Glennie – it’s called ice drive and features some insanely good toy piano playing!!

Image by Angus Clyne
Here’s another track from The new album I wrote with Evelyn Glennie – it’s called ice drive and features some insanely good toy piano playing!!
Bobby Fischer Against the World, a film by Liz Garbus, has just premiered at the Sundance Film Festival. Here are a few tracks from my soundtrack composed for the film, plus… the title track as a free download. (Click to download & please leave a comment below).
Bobby Fischer against the World, title cue – piano soloist Belinda Mikhail
I first heard about Bobby Fischer when I was a kid, heavily into performing classical music. Many of the great Russian virtuoso musicians and composers had a reputation for being chess fanatics, and I remember my mother’s violin professor Beatrix Marr, describing the friendly rivalry between Boris Spassky and David Oistrakh (one of the world’s greatest violinists). Beatrix regularly thrashed me in chess matches in her cottage, making no allowance for my age…
Music begins with an opening gesture, a phrase or a hook and runs along a temporal plane before reaching a cadence, resolution and ending. Great music lives on as an impression of an experience intertwined with emotion and context. You don’t need to be able to interpret what the blobs and squiggles on a musical staff mean in order to be enveloped in a mindblowing musical experience. You don’t need to learn the ‘rules’ of harmony to be profoundly moved by a performance. The great chess grandmasters inhabit a world we can literally never comprehend. A great chess match is a performance, a spontaneous composition of pure elegant counterpoint.
The supreme master of counterpoint in the entire history of music is J.S.Bach. Even as an experienced musician, I cannot begin to grasp how he processed vast amounts of mathematical musical data, rendering it into perfectly structured miniature cathedrals of sound. The inside of his brain must have had parallels with that of Bobby Fischer, but despite this vast intellect he (unlike Fischer) was able to live a life as a complete human being. (I mean, he had fourteen children for a start…).
Bach’s famous first prelude in C was my starting point for scoring Bobby Fischer against the World. I took the theme and turned it inside out – it begins as fragmented and hesitant gestures as if unsure before playing out to an inevitable endgame. (That’s the piano and string orchestra track above by the way).
The whole of the rest of the score is composed from Bach’s themes – from the Goldberg Variations to the keyboard concertos. This piece below is based on the D minor keyboard concerto, though it’s totally unrecognizable as it’s more like a romantic American/Russian prelude that descends into a shameless waltz. This piece runs underneath the famous match between Spassky and Fischer known as the Game of Placid Beauty. This track was written in New York, against the clock when we were rushing to finish the film, and was a piece that went through so many versions and changes before settling on what became ironically known as The Brooklyn Symphony (there’s always one cue in a film which is a major problem and this was it..!)
On a final note, one deeply sad aspect of the making of this film was the loss of the brilliant editor Karen Schmeer. I had already worked with Karen for two years on Greg Barker’s extraordinary film Sergio, and Karen was a joy to work with. We knew each other purely through emails, Skype chats and the odd phone call. We never met, and it’s a strange kind of mourning when the person you knew and liked existed purely at the end of another laptop. Karen had plotted to get me involved in this film by surreptitiously working my older pieces into the rough cut of the movie, without Liz Garbus (the director) fully catching on to what was happening. The day before Karen left us, she had confided to me that her cunning plan was working very nicely.
The film is naturally dedicated to Karen, and the music is wholeheartedly for her (well, the good bits at least…).
Here below is the score for the Brooklyn Symphony with her dedication at the top. Thanks for reading this – Philip Sheppard
Quick update – Here’s an ad from the NY times!

Here’s an Easter present… for a couple of days only, these tracks are free downloads. All I ask is you click the stumble button below, or retweet and recommend them to others if you like them!
Stumble It!
Happy and peaceful Easter to you.
I’ve been working again with a great animator called EB Hu.
This a film by him called Lucky.
My piano piece is called Memory of Water.
It’s featured on the forthcoming Venetian Underground album.
More here – including an interview with EB
This is a section of a talk I gave at the Royal Academy of Music for music students

One of the sections was centered around some specific information concerning how simple it is to produce and circulate a debut recording. These days, a record deal maybe the last thing you need as a musician!!
One student asked if they should send a huge dossier of references, biographies, programmes and recordings to prospective venues/employers. Err.. nope! A CD with a handwritten note, nicely designed, personally directed is much better, especially if solicited via an initial email. The former package would in all likelihood end up in a recycling bin.
Harsh maybe.. but true!
Here are some simple steps to releasing tracks online and (even) getting income through sales (though this may not be the primary aim at this stage). You want people to hear you, join you, and get excited about what you produce next (and hopefully turn up in droves to your next recital).
Getting it out there…
Let’s assume you’ve already recorded a really well thought-through programme.
The obvious place to start a web presence is myspace, but it seems (at best) an inelegant way to present yourself as an artist, especially when there are so many other free hosted sites with beautiful templates out there. I have a myspace page, but its primary purpose is to redirect traffic to my own sites!
WordPress
I love WordPress (where you’re reading this). It’s free – I can place a track like this
by entering a piece of simple code, and it looks professional. It’s designed as a piece of blogging software, but rather than using it purely as an online diary, I find it is a great place to host your biography and showreel. Also, it’s a great place to engage in regular chats with people who might like what you do.
The more people comment and link to you, the higher you page goes in Google’s rankings, so make sure it’s appealing!!
You can get a WordPress blog here – highly recommended.
SoundCloud
A different way of grouping/ hosting your music for free is presented by SoundCloud. What is neat about this is the way people can place comments along the timeline, and even better, anyone (if you like) can stream it to their own blog/site. Here’s a recent piece of mine which is being streamed from the SoundCloud website.
Listeners can add comments at specific points in the track – you can see them by hovering over the pictures. I use SoundCloud to determine whether a track has ‘legs’ or not. It’s very meritocratic – if something’s good – it’ll get lots of plays!
Now, if you’re feeling generous, you can make the tracks downloadable (although I would tag them in iTunes first so the mp3 has your web address in its code).
This track is a download track – again, being streamed via a simple bit of code from SoundCloud:
The downwards arrow on the right is a download link. Here’s a site where someone’s placed a block of my tracks leading to free downloads.
Here’s my site hosted by SoundCloud.
A well-established streaming music service is lastfm.com. This is a curious amalgam of fansite and radio station. Personally I find it a bit disjointed, and also it concerns me that unreleased tracks often appear there from dubious sources. There are tracks of mine on there that I’ve never released!
A completely different approach to new music streaming and downloads can be found at thesixtyone.com.
This is a really hard site to describe as it is as much about gameplay as it is about streaming music. There are two types of (free) account. Artists or Listeners. The Listeners get a higher ranking depending upon how they scout for new songs that the Artists place on there. They give ‘hearts’ to tracks they like, a little like buying shares in a stock that looks like it’s going to perform well.
Frankly, no-one really knows how it works but it’s a superb place to find new music in a quirky and vibrant community.
Also, as with SoundCloud, you can tell pretty quickly if a track has merit as it will get voted onto the front page!
Players also give ‘tips’ which I hadn’t realized translate into Paypal dollars.
From my page here, I have enough for two cappuccinos already… hurrah!
Setting up a label and generating paid downloads
Setting up a label appears at first to be an onerous and difficult task. This certainly used to be the case, when there was a baffling array of requirements,; barcodes, encoding, registration and so forth. This is no longer the case thanks to intermediary companies that have sprung up to help us confused and frustrated independent players and composers.
CDBaby was established by the very brilliant Derek Sivers (whose blog is essential reading). They distribute to a huge number of digital outlets, and have excellent accounting procedures for small labels. They started as a physical distributor of CDs but seem to have made a smooth transition to digital marketing. You can read about joining here.
Ditto Music
One of the most impressive of these new services is Ditto Music.
They have created a brilliant service where the tasks of creating a label for your releases is streamlined and organized for a one-off fee. They also take 0% of your royalties when tracks are sold online, and they can distribute to 700 digital outlets. The real icing on the cake is that they have created a means by which independent musicians can get their tracks loaded onto Spotify, and iTunes.
There’s a widely held belief that as an independent artist, getting your tracks onto Spotify and iTunes is nigh on impossible unless you’re with a major label. This is happily untrue as discussed above. Spotify is an exciting way of streaming (and now temporarily downloading) tracks which has begun a seamless integration with phones and mp3 players.
Spotify are themselves trying to approach smaller, independent labels, and you can register interest as a future partner here.
What’s next..?
I’m going to write about physical CD production, as well as other merchandise… But I need a big mug of coffee first! Let me know if this is useful…
In the meantime, here’s an article I wrote about being a composer whilst keeping your head!

Another amazing image by Trey
Here’s a piece I recently recorded for Piano and string orchestra called Remember me this way [Audio http://radiomovies.files.wordpress.com/2009/08/14-the-tomb-of-glenn-gould.mp3]
If you’d like a copy click here for simple instructions!
I wanted to write something optimistic and melancholy at the same time – playful, but with an undercurrent of an elegy. Not sure if I got there!
I heard a lovely eulogy the other day, where someone I’d been very fortunate to know was described as ‘a man with no corners’. What a great way to be remembered!
Well.. after lots and lots of talking and negotiating.. it looks like we can get the piano pieces released!! Initially on itunes, emusic and spotify.. as well as a nice coffee table version.

Please let me know with your comments which ones definitely make the cut!
Here’s a track called Watermark for solo piano[Audio http://radiomovies.files.wordpress.com/2009/04/watermark.mp3]
After the Moonlight (Piano Trio)[Audio http://radiomovies.files.wordpress.com/2009/03/13-fast-gathering-tears.mp3]And… This is new too The Daguerreotype [Audio http://radiomovies.files.wordpress.com/2009/03/jb2-old-photos.mp3]Here’s another recorded in Finchcocks, a stately home and piano museum. The instrument used is a Viennese double strung piano – a very rare and extremely fragile instrument. [Audio http://radiomovies.files.wordpress.com/2009/02/04-moon-over-meadow.mp3] The piece is (as yet) unnamed, but is based on the idea of an empty drawing room at night – except, that is, for the piano. It holds within its wood and strings snatches of music, harmonics and melodies that others have played on it… Any ideas for names gratefully accepted – the more literary the better! Here’s a second piece recorded on a Steinway – a slow ballade waltz [Audio http://radiomovies.files.wordpress.com/2009/02/jb3-ballade.mp3] Here’s a third piece called The Long Letter[Audio http://radiomovies.files.wordpress.com/2009/02/07-10-long-letter.mp3] Here’s the obvious one (of Jane Austen fame)… Crystallised Beauty – the (not often heard) full-length version of the track:] And here’s one called for Elena[Audio http://radiomovies.files.wordpress.com/2009/03/22-9-for-elena.mp3] This is a piece (with strings) called keep walking[Audio http://radiomovies.files.wordpress.com/2009/03/pssst.mp3] 
Here’s an extract of a new track for solo cello, prepared piano and strings called close your eyes. If you like it you might like these tracks tooDrop me a comment below if you want to buy the single!
Stumble It!
I play music for the sense of solace, and sometimes the texture of a sound is enough to make you feel everything could be ok.
Layers of sound can define an architectural place in your head through suggestion and perception. The bass note in this piece is more of a feeling than a real note – try and listen with headphones if you get the chance.
If you like this kind of thing then try The Glass Cathedral, or The Diver in the Crypt… they’re coming from a similar place!
Would love to know what you think. If you like this try these:
Sorry for the recent radio silence! I’ve been very busy with a film and a stage show… plus there’s a really big film project in the pipeline that I wish I could tell you more about…
To all who’ve asked for Crystallised Beauty… it’s just been sent – and I’ve had a brainwave about how to release tracks more easily. Watch this space!
Also coming soon – a schedule of all forthcoming performances and film broadcasts/premieres plus dance shows too.
Here’s a new piano track that goes with the above image – a memory for water [Audio http://radiomovies.files.wordpress.com/2009/06/a-memory-of-water.mp3]