Tag: Geoff Dugmore

  • Not So Silent Movies!

    I’m hugely excited to announce the launch of Not so Silent Movies…

    This monthly event takes place at the wonderful Kings Place in London. First gig is Sunday October 2nd at 3pm. Tickets from here.

    The photo of Harold Lloyd is appropriate, as what we’re going to be doing is risky, thrilling and often hilarious.

    Here’s the pitch:

    • Great silent film comedies,
    • Great musicians together on stage,
    • No sheet music,
    • No rehearsing,
    • No plan,
    • & No watching the films in advance…

    Yes… it’s totally improvised (spontaneously composed if you want to be pretentious..!), utterly great when it all clicks, and unintentionally hilarious when it goes awry.

    Our band is amazing… we have Guy Pratt on Bass (he’s been in Pink Floyd & Roxy Music for starters), Geoff Dugmore’s playing drums (He’s an incredible drummer – one of the greatest session players in the world), Pip Eastop on Horn (he’s a stalwart of the London Sinfonietta, a Professor, stunning soloist and one of the wittiest people I’ve ever had the pleasure of knowing), Elspeth Hanson (violinist currently wowing audiences in Bond, was also glimpsed by about two billion people on a bus with David Beckham & Jimmy Page), Mark Neary (Pedal steel player and alchemist of weird and wondrous noises – last time I saw him he was laying down some lines for Flood!), Me (I play the cello a bit), and some amazing surprise guests too (not Jimmy Page… yet… but we’re working on it! see photo).

    Geoff Dugmore, Jimmy Page, Me & Guy Pratt at a recording session

    Future Not so Silent Movies are featuring Dame Evelyn Glennie (world famous percussion soloist), Robin Millar (Sade’s producer), Steve Mackey (Pulp’s bassist), Julia Thornton (wizard harpist & percussionist), Pete Furniss (Reeds – a mainstay of the extraordinary Impropera), Roger Eno (maverick keyboardist), Stephen Warbeck (composer, Oscar winner), Cherisse Osei (Mika’s drummer), David Le Page (former Menuhin pupil, Subway Pirhanas, Orchestra of the Swan) and many, many more…

    You can probably tell I’m a bit excited about this…

    Come and join us for the greatest comedies ever made – (featuring Buster Keaton, Harold Lloyd, Joe Keaton, Fatty Arbuckle & co), and to see a group of musos having a busman’s holiday. We may even get you up on stage to take part!

    Let me know who else we should invite, and which films you’d like to see us tackle!

    Philip

    Philip Sheppard

    NSSM article

  • This is London…

    Olympic Documentary London Calling – screens this week

    Jimmy and Leona on the bus

    I’ve just heard that this Wednesday (4th March 2009) sees the broadcast of the BBC Documentary ‘London Calling’, which, according to the BBC website;

    …follows the exploits of the Ceremonies Team as they prepare to mount the eight-minute show to mark the official handover of responsibility for the Olympic Games from Beijing to London…

    Sneak Peak here

    I was the music director for the handover, which involved writing a score for the London Symphony Orchestra (based on several well-known traditional British songs as well as The Shipping Forecast and the Greenwich Time Signal) as well as re-arranging the UK National Anthem (in order to make it a bit more lyrical).

    [vimeo http://vimeo.com/1592686]

    The show had to culminate in a well-known song, so, together with co-producer Steve Robson, I recorded Jimmy Page and Leona Lewis performing Whole Lotta Love by Led Zeppelin together with (the brilliant bass player) Guy Pratt and Geoff Dugmore (the most civilised, yet powerful drummer you’ll ever find). We laid down the backing at Olympic Studios with as near to an authentic setup as possible – even down to the risers for the drums and correct amps.

    Hearing that riff played by that man in that room.

    I Love My Job.

    Guy Pratt, Jimmy Page and Geoff Dugmore at Olympic Studios
    Guy Pratt, Jimmy Page and Geoff Dugmore at Olympic Studios http://radiomovies.wordpress.com

    I suspect that the programme will make fairly nailbiting viewing as there were major highs and lows throughout the long development process for everyone, culminating in the adrenalin rush of the show at the Bird’s Nest Stadium – but followed by the revelation that the direct feed of music and sound (which we’d spent months preparing) didn’t appear to find its way from the stadium to TV sets.

    For me there were several moments that still seem a little unreal –

    leona-2
    At the Bird's Nest Stadium before the show

    Firstly, being in Air studios conducting the London Symphony Orchestra, who were blissfully unaware throughout the recording session that the ‘James‘ I was on intercom with in the control room was a certain guitar player…
    Secondly, realising just how technically and musically accomplished Leona Lewis is as an artist. I’ve not worked with many singers in the pop world who can discuss coloratura technique, and operas by Purcell and Bellini. Actually, there was one… Jeff Buckley ! (Check this out…) But Leona can really sing with heart and soul, balanced with quite astounding technique.

    But also… Chris Hoy, Jamie Staff and Victoria Pendleton (plus medals) coming to my place for a drink before the cast party. I think I’ll tell my grandchildren about that…

    Here’s my version of the National Anthem performed by the London Symphony Orchestra and the singers from The National Youth Theatre.[Audio http://radiomovies.files.wordpress.com/2009/02/anthem-july-20th-1.mp3]

    Flag Rehearsal
    Flag Rehearsal