Inspired by one of my friend Trey Ratcliff’s images, here’s ‘A Boat to Nowhere’ to be heard soon on the BBC ‘Human Universe’ soundtrack.
This was recorded at Abbey Road in August. [soundcloud url=”https://api.soundcloud.com/tracks/164243601″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
Here’s a new track from my score for Brian Cox’s new series ‘The Human Universe'[soundcloud url=”https://api.soundcloud.com/tracks/163874307″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
This Sunday sees the broadcast of Chris Riley’s wonderful account of the life of one of the great thinkers & polymaths of our time, Richard Feynman. I’ve written the music for the film. Here’s are a couple of tracks from the score;[soundcloud url=”http://api.soundcloud.com/tracks/91542152″ params=”” width=” 100%” height=”166″ iframe=”true” /][soundcloud url=”http://api.soundcloud.com/tracks/91544836″ params=”” width=” 100%” height=”166″ iframe=”true” /]
Feynman brilliantly embraced the concept of playing – playing with ideas until they resolved into simple models of extraordinary concepts.
[youtube=http://www.youtube.com/watch?v=LyqleIxXTpw&feature=youtu.be]“But when it came time to do some research. I couldn’t get to work. I was a little tired; I was not interested; I couldn’t do research!… And then I thought to myself, “You know, what they think of you is so fantastic, it’s impossible to live up to it. You have no responsibility to live up to it!”… Then I had another thought; Physics disgusts me a little bit now, but I used to enjoy doing physics. Why did I enjoy it? I used to play with it. I used to do whatever I felt like doing – it didn’t have to do with whether it was important for the development of nuclear physics…. So I get this new attitude… I’m going to play with physics, whenever I want to, without worrying about any importance whatsoever. Withing a week I was in the cafeteria and some guy, fooling around, throws a plate in the air…. I had nothing to do, so I start to figure out the motion of the rotating plate… And before I knew it (it was a very short time) I was ‘playing’ – working, really – with the same old problem that I loved so much, that I had stopped working on when I went to Los Alamos; my thesis-type problems; all those old-fashioned wonderful things. It was effortless. It was easy to play with these things. It was like uncorking a bottle: Everything flowed out effortlessly…. There was no importance to what I was doing, but ultimately there was. The diagrams and the whole business that I got the Nobel Prize for came from that piddling around with the wobbling plate.” –
Richard Feynman, excerpts from Surely You’re Joking, Mr Feynman
