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This is a track from my new album – Somewhere Along The Edge. The album was recorded at Abbey Road Studios in September 2016 and is my first studio album away from a specific movies soundtrack for some time.
Each track is dedicated to someone who lives fully at the edge of life— whether explorers, artists, travellers, thinkers…
This is dedicated to the amazing artist, technologist, fellow cellist, drone pilot, underwater photographer and more importantly, great friend, Eric Cheng. His photography is exquisite – echengphoto.com/index
If you would like a free review copy then please comment below and I’ll send you a code by return.
Philip Sheppard October 2016
Somewhere Along The Edge on iTunes
https://exit.sc/?url=https%3A%2F%2Fitun.es%2Fus%2F1S4Teb Somewhere Along The Edge on Bandcamp
http://philipsheppard.bandcamp.com/…/somewhere-along-the-ed… Somewhere Along The Edge On Spotify
Here’s a cover of ‘Crazy’ by Gnarls Barkley that I performed recently at the COP21 Summit in Paris. Just recorded this to get warmed up for a busy set of film sessions.
Here’s what I did after a long day of recording in Abbey Road one night last week. I’d been conducting the orchestra all day, and my brain was in another place.
I was speaking a language far from English, and things were swimming in front of my eyes. Rather than start heading home, I decided to decompress a bit.
There’s a deeply unusual documentary I’m writing at the moment, so I put the film on, Gordon, my fantastic engineer set everything to record and I got ready to play along. In the end, I ended up doing a 59 minute solo take on my cello – which is something of a record for me… It was a bit surprising seeing as my arms were really aching from conducting all day.
Anyway, here’s the result. (Don’t worry, it’s not 59 minutes).
Last month I travelled to Vegas to join Cirque Du Soleil for a special One-off show as a featured musician along with the wonderful John Legend.
The whole show was in aid of One Drop, and amazing charity established by Cirque to help those in need find water supplies.
It was a once-in-a-lifetime adventure and I’m writing more about this very soon.
Here’s one of the pieces I played.[soundcloud url=”https://api.soundcloud.com/tracks/204219833″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
[soundcloud url=”https://api.soundcloud.com/playlists/53995543″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]Here’s a preview of my score for Human Universe featuring Professor Brian Cox, which debuts tonight on BBC2.
We’re going to release the soundtrack on iTunes, Spotify and many other digital music platforms shortly.
If you’d like to receive a one-off email when this is released, just leave us a short message below naming your favourite track.
You’ll get a free download of one of my other film scores by way of thanks.
And, you’ll really be helping us, as the most popular track will become the first track on the album.
I’ve been a long-term collaborator with James Lavelle since being invited in to the Never Never Land sessions with UNKLE to play acoustic and electric cello. Since then, I’ve performed on numerous tracks as a string player, and have been a co-writer on many album tracks.
My first impression of James and his working method has remained intact, save for the fact that over time he’s become a dear & trusted friend.
James is an alchemist.
He instinctively knows how to throw disparate personalities & elements together, resulting in beautiful dissonance and restless confluence.
At the time of the first sessions I was working as a classical cello professor at the Royal Academy of Music and James blew the doors off my recording life, giving voice to my wilder sonic personalities, encouraging me to stretch the potential of my musicianship.
I remember one day working on Beethoven sonatas at the Royal Academy, then getting in a cab up the road to a North London studio with James, Keith Flint, dry ice, strobes and a license to let rip in an all-night recording session. That’s living the dream…
[soundcloud url=”http://api.soundcloud.com/tracks/85212033″ params=”” width=” 100%” height=”166″ iframe=”true” /]It’s hard to believe it’s nearly Easter. I love the biting cold thaw in the sunshine. The best light in the world…
Here’s a piece called ‘The Melt’. I hope you like it.
Here’s a cue from a film I wrote earlier in the year.
I’m using Pinterest to collate images to help me write and the above, haunting picture is on a board I’ve made to combat writer’s block (not something I’ve suffered from.. yet!). It seemed to chime with the mood of a piece I was remixing…
Here’s a piece I wrote about a Utopian place. Rolling fields, no sense of time, warmth and happy solitude… Solo violin by the very excellent Elspeth Hanson.
I would say it’s ambient, but it’s got too many melodic lines. It’s a bit celtic, but it’s not folk. Looking for a good title – any ideas?
If you like this, then try these tunes here.
Click here to subscribe, and you’ll get a free download of it from my mailing list. Thanks – Philip
[soundcloud url=”http://api.soundcloud.com/tracks/6048149″ params=”show_comments=true&auto_play=false&color=3585be” width=”100%” height=”81″ ]
Online music promotion & why musicians should make their own record deals… [This is a section of a talk I gave at the Royal Academy of Music]
[If you like this… then read the supporting article CLICK HERE]
Wilhelm couldn’t help feeling the Wigmore makeover was a little too contemporary
During my lecture a student asked if they should send a huge dossier of references, biographies, programmes and recordings to prospective venues/employers.
Err.. nope!
A CD with a handwritten note – all nicely designed & personally directed is much better, especially if solicited via an initial email.
(The former package would in all likelihood end up in a recycling bin)
Harsh maybe.. but true!
Humphrey thanks Mrs Watson for the Gutbuster tailcoat
Here are some simple steps to:
Promoting tracks online
Releasing tracks online
Getting income through sales (though this may not be the primary aim at this stage).
You want people to hear you, join you, and get excited about what you produce next (and hopefully turn up in droves to your next recital).
The Burberry string trio’s Morton Feldman season wasn’t going well
Getting it out there…
Let’s assume you’ve already recorded a really well thought-through programme of pieces/ songs… (This is a whole other massive subject, and something that classical musicians can often get very wrong…)
The obvious place to start a web presence is myspace, but it seems (at best) an inelegant way to present yourself as an artist, especially when there are so many other free hosted sites with beautiful templates out there.
I have a myspace page, (it’s so very ugly.. I won’t even link to it here) but its primary purpose is to redirect traffic to my own sites!
The traffic on my MySpace page at the moment
WordPress
I love WordPress (where you’re reading this).
It’s free – it has excellent templates, so even a klutz like me can make something look half – decent…
I can place a track like this
by entering a piece of simple code, and it looks professional.
It’s designed as a piece of blogging software, but rather than using it purely as an online diary, I find it is a great place to host your biography and showreel.
More importantly, it’s a great place to engage in regular chats with people who might like what you do.
The more people that comment and link to you, the higher you page goes in Google’s rankings, so make sure it’s appealing!!
Also, when people leave comments, good or bad, try to respond as soon as you can! This can be difficult if you’re busy, but shows that what you’re doing is artist led, not just a facade by a record company to ‘get down with the kids’…
You can get a WordPress blog here – highly recommended.
The chaps in Led Zep felt Jimmy had gone too far…
Mailing list
If you want to link with people who like what you do, then maybe use a company to administer a mailing list for you. I use Constant Contact and find them very effective. They have a good policy against spam and there are lots of safeguards in place to ensure you communicate properly in your (hopefully) mass emails.
Obviously Twitter links into this whole pattern very neatly too!
Getting a great look for your album
Sometimes technology creates more niggling work for us and leaves a big creative void in the heart of your soul… and then sometimes, it proves itself to be a thing of simple beauty.
I love Flikr.
I am a massive fan of specific photographers like Lucy Martin, Trey Radcliffe, TonTon Copte and many others. Something in their imagery and artistic sensitivities links with my music.
I found all of them through the site, and in fact recently licenced an image from Lucy Martin which was a perfect fit for my Henry VIII album. Have a look here and you can see why!
Mailbox was in a right grump
SoundCloud
A different way of grouping/ hosting your music for free is presented by SoundCloud.
What is neat about this is the way people can place comments along the timeline, and even better, anyone (if you like) can stream it to their own blog/site.
Here’s a recent piece of mine which is being streamed from the SoundCloud website.
Listeners can add comments at specific points in the track – you can see them by hovering over the pictures.
I use SoundCloud to determine whether a track has ‘legs’ or not.
It’s very meritocratic – if something’s good – it’ll get lots of plays!
Now, if you’re feeling generous, you can make the tracks downloadable (although you should tag them in iTunes first so the mp3 has your web address in its code – google ‘iTunes metadata’ if you want to know more).
This track is a download track – again, it’s being streamed via a simple bit of code from SoundCloud:
[soundcloud url=”http://soundcloud.com/radiomovies/in-i-the-apotheosis-akram-khan-juliette-binoche”]
The downwards arrow on the right is a download link.
Here’s a site where someone’s placed a block of my tracks leading to free downloads.
Later in casualty, Fritz regretted selling the viola
Lastfm
A well-established streaming music service is lastfm.com. This is a curious amalgam of fansite and radio station. Personally I find it a bit disjointed, and also it concerns me that unreleased tracks often appear there from dubious sources. There are tracks of mine on there that I’ve never released!
The Sixty one
A completely different approach to new music streaming and downloads can be found at thesixtyone.com.
This is a really hard site to describe as it is as much about gameplay as it is about streaming music. There are two types of (free) account. Artists or Listeners. The Listeners get a higher ranking depending upon how they scout for new songs that the Artists place on there. They give ‘hearts’ to tracks they like, a little like buying shares in a stock that looks like it’s going to perform well.
Frankly, no-one really knows how it works.
Also, as with SoundCloud, you can tell pretty quickly if a track has merit as it will get voted onto the front page!
Players also give ‘tips’ which I hadn’t realized translate into Paypal dollars.
From my page here, I have enough for two cappuccinos already… hurrah!
However – it was a superb place to place your music, but following a recent makeover, users have expressed dismay at the frankly confusing navigation…
The Albert Hall’s sitemap left a little to be desired
Setting up a label and generating paid downloads
Setting up a label appears at first to be an onerous and difficult task. This certainly used to be the case, when there was a baffling array of requirements; barcodes, encoding, registration and so forth.
This is no longer the case thanks to intermediary companies that have sprung up to help us confused and frustrated independent players and composers.
CDbaby
CDBaby was established by the very brilliant Derek Sivers (whose blog is essential reading). They distribute to a huge number of digital outlets, and have excellent accounting procedures for small labels. They started as a physical distributor of CDs but seem to have made a smooth transition to digital marketing. You can read about joining here.
Ditto Music
One of the most impressive of these new services is Ditto Music.
They have created a brilliant service where the tasks of creating a label for your releases is streamlined and organized for a one-off fee.
They also take 0% of your royalties when tracks are sold online, and they can distribute to 700 digital outlets.
The real icing on the cake is that they have created a means by which independent musicians can get their tracks loaded onto Spotify, and iTunes.
Whenever I have a soundtrack album for a film or concert project, they are my first port of call.
Xavier didn’t feel the sponsorship deal with Dunkin’ Donuts had compromised him at all
Spotify
There’s a widely held belief that as an independent artist, getting your tracks onto Spotify and iTunes is nigh on impossible unless you’re with a major label. This is happily untrue as discussed above. Spotify is an exciting way of streaming (and now temporarily downloading) tracks which has begun a seamless integration with phones and mp3 players.
Spotify are themselves trying to approach smaller, independent labels, and you can register interest as a future partner here.
What’s next..?
I’m going to write about physical CD production, as well as other merchandise… But I need a big mug of coffee first! Let me know if this is useful…
This is a section of a talk I gave at the Royal Academy of Music for music students One of the sections was centered around some specific information concerning how simple it is to produce and circulate a debut recording. These days, a record deal maybe the last thing you need as a musician!!
One student asked if they should send a huge dossier of references, biographies, programmes and recordings to prospective venues/employers. Err.. nope! A CD with a handwritten note, nicely designed, personally directed is much better, especially if solicited via an initial email. The former package would in all likelihood end up in a recycling bin.
Harsh maybe.. but true!
Here are some simple steps to releasing tracks online and (even) getting income through sales (though this may not be the primary aim at this stage). You want people to hear you, join you, and get excited about what you produce next (and hopefully turn up in droves to your next recital).
Getting it out there…
Let’s assume you’ve already recorded a really well thought-through programme.
The obvious place to start a web presence is myspace, but it seems (at best) an inelegant way to present yourself as an artist, especially when there are so many other free hosted sites with beautiful templates out there. I have a myspace page, but its primary purpose is to redirect traffic to my own sites! WordPress
I love WordPress (where you’re reading this). It’s free – I can place a track like this
by entering a piece of simple code, and it looks professional. It’s designed as a piece of blogging software, but rather than using it purely as an online diary, I find it is a great place to host your biography and showreel. Also, it’s a great place to engage in regular chats with people who might like what you do.
The more people comment and link to you, the higher you page goes in Google’s rankings, so make sure it’s appealing!!
You can get a WordPress blog here – highly recommended.
SoundCloud
A different way of grouping/ hosting your music for free is presented by SoundCloud. What is neat about this is the way people can place comments along the timeline, and even better, anyone (if you like) can stream it to their own blog/site. Here’s a recent piece of mine which is being streamed from the SoundCloud website.
Listeners can add comments at specific points in the track – you can see them by hovering over the pictures. I use SoundCloud to determine whether a track has ‘legs’ or not. It’s very meritocratic – if something’s good – it’ll get lots of plays!
Now, if you’re feeling generous, you can make the tracks downloadable (although I would tag them in iTunes first so the mp3 has your web address in its code).
This track is a download track – again, being streamed via a simple bit of code from SoundCloud:
[soundcloud url=”http://soundcloud.com/radiomovies/in-i-the-apotheosis-akram-khan-juliette-binoche”]
The downwards arrow on the right is a download link. Here’s a site where someone’s placed a block of my tracks leading to free downloads.
A well-established streaming music service is lastfm.com. This is a curious amalgam of fansite and radio station. Personally I find it a bit disjointed, and also it concerns me that unreleased tracks often appear there from dubious sources. There are tracks of mine on there that I’ve never released!
The Sixty one
A completely different approach to new music streaming and downloads can be found at thesixtyone.com.
This is a really hard site to describe as it is as much about gameplay as it is about streaming music. There are two types of (free) account. Artists or Listeners. The Listeners get a higher ranking depending upon how they scout for new songs that the Artists place on there. They give ‘hearts’ to tracks they like, a little like buying shares in a stock that looks like it’s going to perform well.
Frankly, no-one really knows how it works but it’s a superb place to find new music in a quirky and vibrant community.
Also, as with SoundCloud, you can tell pretty quickly if a track has merit as it will get voted onto the front page!
Players also give ‘tips’ which I hadn’t realized translate into Paypal dollars.
From my page here, I have enough for two cappuccinos already… hurrah!
Setting up a label and generating paid downloads
Setting up a label appears at first to be an onerous and difficult task. This certainly used to be the case, when there was a baffling array of requirements,; barcodes, encoding, registration and so forth. This is no longer the case thanks to intermediary companies that have sprung up to help us confused and frustrated independent players and composers.
CDbaby
CDBaby was established by the very brilliant Derek Sivers (whose blog is essential reading). They distribute to a huge number of digital outlets, and have excellent accounting procedures for small labels. They started as a physical distributor of CDs but seem to have made a smooth transition to digital marketing. You can read about joining here.
Ditto Music
One of the most impressive of these new services is Ditto Music.
They have created a brilliant service where the tasks of creating a label for your releases is streamlined and organized for a one-off fee. They also take 0% of your royalties when tracks are sold online, and they can distribute to 700 digital outlets. The real icing on the cake is that they have created a means by which independent musicians can get their tracks loaded onto Spotify, and iTunes.
Spotify
There’s a widely held belief that as an independent artist, getting your tracks onto Spotify and iTunes is nigh on impossible unless you’re with a major label. This is happily untrue as discussed above. Spotify is an exciting way of streaming (and now temporarily downloading) tracks which has begun a seamless integration with phones and mp3 players.
Spotify are themselves trying to approach smaller, independent labels, and you can register interest as a future partner here.
What’s next..?
I’m going to write about physical CD production, as well as other merchandise… But I need a big mug of coffee first! Let me know if this is useful…
[soundcloud url=”https://api.soundcloud.com/tracks/281054113″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]
[soundcloud url=”http://api.soundcloud.com/tracks/85212033″ params=”” width=” 100%” height=”166″ iframe=”true” /]It’s hard to believe it’s nearly Easter. I love the biting cold thaw in the sunshine. The best light in the world…
![[soundcloud url=”https://api.soundcloud.com/tracks/154364936″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]](https://radiomovies.files.wordpress.com/2014/06/unkle2.jpg){kind=link}