Category: music

  • Keanu Reeves Brawn Soundtrack

    Keanu Reeves Brawn Soundtrack

    Keanu Reeves with thje Brawn F1 car

    Philip Sheppard’s soundtrack to the Keanu Reeves series; ‘Brawn: The Impossible F1 story’. Music score from the new Disney+ Hulu series

    Philip Sheppard’s soundtrack to the Keanu Reeves series; ‘Brawn: The Impossible F1 story’. Stream here

    About Brawn and Keanu Reeves

    In a Hollywood-worthy narrative that Keanu Reeves insists had to grace the tv screen, the saga of Brawn: The Impossible F1 Story unfolds against the backdrop of Formula 1’s tumultuous 2009 season. The symphony of triumph and tribulation crescendos with the documentary’s pulsating soundtrack, a creation of Composer Philip Sheppard, perfectly attuned to the highs and lows of the series now streaming on Disney+.

    In the annals of motorsports lore, the departure of Honda from Formula 1 in 2009 stood as a seismic event, leaving Jenson Button and Rubens Barrichello without a team. Enter Ross Brawn, a maestro of managerial prowess, who orchestrated a takeover of the team for a mere £1, an audacious move that set the stage for a tale that few believed could unfold favorably.

    Brawn’s audacity paid off in a dazzling display of resilience and skill. Against the odds, Jenson Button claimed the world title, and Brawn GP secured the constructors’ championship, transforming what seemed like a eulogy into an exultant ode to triumph.

    Keanu Reeves, our tour guide into the inner workings of that fateful season, takes us on a riveting journey through the lens of a four-part documentary series. Brawn: The Impossible F1 Story peels back the layers of disruption preceding the season, unveiling the meteoric rise of Button, who, despite the early-season turmoil, clinched victory in six of the first seven races in 2009.

    The climax of the season, aptly set in Brazil, witnessed Button’s dramatic ascent from 14th to finish fifth, securing the championship in a heart-stopping finale. Button’s quote resonates like a poignant soliloquy in the ears of BBC Sport, “I could have finished eighth and still clinched the title at the last race by finishing fifth or sixth. But I wanted to finish on a high – prove to yourself as much as anyone else that you’ve got that killer instinct.”

    The heartbeat of Brawn GP’s success lies in their innovative approach to Formula 1’s new regulations of 2009. While others saw problems, Brawn GP saw opportunities. Episode one of the documentary delves into the intricacies of their strategic gamble, focusing on a ‘double diffuser’ that ultimately passed the scrutiny of the FIA despite protests from rival teams.

    Bernie Ecclestone, the sage of Formula 1, opines in episode two that interpreting rules has been a timeless art, and Brawn, a seasoned architect of Michael Schumacher’s triumphs, wielded his rulebook wisdom with finesse.

    The narrative weaves through Brawn’s journey from orchestrating Schumacher’s victories to the Honda tenure, sealed with a symbolic pound coin – an artifact now sacredly carried by Honda executive Hiroshi Oshima.

    The revelation that Brawn GP operated on a shoestring budget adds a gritty subplot to the fairy tale. Button, reflecting on the challenging times, notes the camaraderie forged in adversity but can’t help but rue the financial constraints that often left the team “running out of bits.”

    The Music

    Philip Sheppard’s musical score, an epic accompaniment to the series, resonates through the twists and turns of the Brawn GP saga. It is a testament to a team that, against all odds, turned a symbolic £1 into a priceless championship triumph.

  • radiomovies roundup

    Moon Machines is on the Science Channel this week – the companion series to In the Shadow of the Moon. I wrote the music for the series last year which aired on the Discovery Channel.

    Henry Mind of a Tyrant continues its run on Channel 4 this evening at 9pm with the second episode – Warrior. Channel 4 have put a series of short films, images and even (oh no…) an interview with yours truly at this site. Don’t forget the soundtrack is a free listen on this site.

    Sergio is going to be shown at HotDocs in Ontario – click here for more details.

    Lots of people (hundreds in fact!) have downloaded the sheet music for Crystallised Beauty this week, and I’m asking for suggestions for the next piece to be made available. Let me know at this page!

    On this site, I’ve put up a couple more archive album tracks; Aqua Voce now online, together with Penitential Psalm.

    Thanks for all the messages and comments – it’s great to hear from you…

    fiddlewiddle.com

  • Crystallised Beauty Sheet Music

    Crystallised Beauty Sheet Music – it’s here…cb2

    After rather a lot of emails, I’ve finally got around to writing up the piano score of Crystallised Beauty. As everyone who’s asked for it seems very friendly and sociable, I decided to make it for two pianists…

    You can still play it on your own if you prefer, but… to fit all the different parts in, four hands are better than two!

    It’s free, but please don’t copy it anywhere else – if anyone wants a copy they can download it from here for nothing. If you want to give anything, a comment is always welcome!

    Get the sheet music by clicking here!

    listen to it here:[soundcloud url=”http://soundcloud.com/radiomovies/crystallised-beauty”]

    Other things I’ve written

    How to get the mp3…

    If you’d like the mp3, it’s not commercially available yet – but – I can send it to you.

    How?

    Well, leave a comment below, mention the mp3 and (because I can then see your email details) I will forward you a link for the mp3 download. Easy!

    Condron.us

  • radiomovies roundup

    sergio1

    Latest show news. As you can see there’s a beautiful poster for the forthcoming Sergio directed by Greg Barker – due to be shown on HBO in June. This recently won Karen Schmeer the editing award at Sundance.I hope to put a number of the tracks online soon as a free stream.

    Looking at the above I realise I’m lucky to work on projects where the PR material seems to be thought through…

    In-I, my project with Juliette Binoche, Anish Kapoor and Akram Khan is in Beijing this week, having transferred from Shanghai. You can hear the score here.

    It’s going to have a break before opening at BAM (Harvey Theatre), New York, for the latter part of September.

  • How to be cool

    groovy
    The Jimi Hendrix Experience had a shaky start…

  • Another unlikely foray into fashion

    Lily Donaldson video by Nick Knight & Ruth Hogben for ShowStudio using Mechanical Waltz by Philip Sheppard

    [youtube=http://www.youtube.com/watch?v=qAIZ6gXczw0]

    I’ve been involved with a few projects with Nick Knight and his team at ShowStudio – despite my being to the fashion world what Boris Johnson is to speed skating…

    The most insanely enjoyable of these was a project where we made 24 films in 24 hours – where the great John Gosling (Mekon) and I provided the live music. I ended up being styled by the head of YSL – Stefano Pilati (I was probably the chubbiest person he’s ever dealt with) and the whole photoshoot & film shoot was turned into a catalogue for Yves Saint Laurent.

    He’s a real gent.

    Just found a scene from that session… Jessica Miller looks at me as if she’s used to being written on while a random cellist plays at her…ysl2

  • Harrison's Chronometer online

    New tracks added!chron1

    There are some new tracks added this week from past albums including Harrison’s Chronometer which I released as the other track on the EP length Glass Cathedral album, way back in 1999.

    You’ll find them all in the sidebar to the right under Pages, including The Diver in the Crypt and In-I stage show.

    Soon to come… the score of Sacred Monsters, (the Sylvie Guillem Akram Khan dance piece) and a very weird piece I wrote about the Venetian Underground System…

  • radiomovies latest round-up

    Carceri III The round tower - Piranesi
    Carceri III The round tower – Piranesi

    radiomovies latest round-up

    So… The Jane Austen lovers have come out in force behind a certain piece of piano music, In-I has opened at the Sydney Opera House – and the score / soundtrack is now online here and Channel 4 are to shortly announce the transmission dates of David Starkey’s new series on Henry VIII – the Mind of a Tyrant.

    Excitingly.. for me anyway, I found the one Jeff Buckley bootleg recording I’ve been looking for for years.

    Meanwhile I’ve started to put my albums online. I realised that it was ten years since I recorded The Glass Cathedral, and so I’ve decided to release it as a one tune radio station.. okay, so it’s actually a webpage with a Piranesi engraving and a tune… but, as with the dance scores, i like the idea of people being able to dial it up and listen. A lot of people have paid to see concerts, films, shows – for which I’m really grateful… why should I ask people for more money, and anyway, what’s wrong with giving the odd tune away?

  • Playing with Jeff Buckley

    I’ve just found something on youtube that I’ve been searching for for years – literally…jeff1

    I’ve been so lucky to have been able to play the cello with some of the most amazing musicians, but by far the greatest was Jeff Buckley. Of course he’s shot up the charts recently through his beautiful cover of Leonard Cohen’s Hallelujah – surely the antithesis of X-Factor..?

    This is Henry Purcell’s Dido’s Lament from Dido and Æneas. But listen to this – Just. listen. to. it…

    [youtube=http://youtu.be/xSVCL262gmU]

    I mean, no-one can sing like that. No-one should be physically able to sing like that.

    Jeff Buckley singing, withpianist Catherine Edwards, violinist Ian Belton and me on cello, in Elvis Costello’s Meltdown Festival, July 1st 1995.

    I remember, this singer arrived really late, just before the show, dishevelled, all cheekbones, cool hair, black jeans and the biggest boots you’ve ever seen supporting a rake thin body.

    He apologised – got out his music – a kid’s exercise book with the lyrics of the songs written out in a crazy biro scrawl. – If a word was written high up the page, well then it meant it was a high note.

    At one point he asked me what country he was in… he was confused between Germany and the UK that day as I think he’d flown in with little sleep.

    And then he sang.

    As Elvis Costello remembers;

    When he started singing Dido’s Lament at the rehearsal, there were all these classical musicians who could not believe it. Here’s a guy shuffling up on-stage and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he’s just singing, not doing it like a party piece, but doing something with it.

    That’s an understatement… I remember the lights being pretty bright and the silhouette of his frame as he bent almost double to wrench every ounce of meaning from a song written 300 hundred years ago. Better than any classical musician I’ve ever heard.

    As he was singing, a photographer shuffled along past the feet of the audience in the front row at the Queen Elizabeth Hall to get a shot, unaware that they were for that second the most hated person in London, and got a good clout round the head for their troubles from someone who should remain nameless.

    I can’t remember anything straight after that, but Elvis Costello wrote in Mojo:

    My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who’d never met before – Fretwork, the viol group, a classical pianist and some jazz player – all talking and laughing about music. He’d charmed everybody. I’d much rather remember that than anything.

    I just wish i could find a photo…

    Here’s an extract from a Radio 4 Documentary when I talked about it:

    [youtube http://www.youtube.com/watch?v=xSVCL262gmU]

  • Haruki Murakami – lyrical genius

    I reckon Haruki Murakami is a lyrical genius…

    I’ve finally started reading Haruki Murakami’s books. I bought Norwegian Wood at a second hand bookshop and steamed through it, becoming increasingly upset that I was nearer to the end than the beginning. It’s an immersive and profoundly lyrical book. I’ve ordered everything else he’s written in a fit of impetuousness. When I was at school I read Yukio Mishima’s book, The Sailor who fell from grace from the sea which had a similar effect on me. Unfortunately Mishima became bizarrely locked into his own fascistic ideas as he got nearer to his self-inflicted end, whereas Murakami appears to shy away from the cult of his own personality.

    Complicite at the Barbican 2003
    Complicite at the Barbican 2003

    I went to see London production of The Elephant Vanishes back in 2003 at the Barbican, when Simon McBurney directed a radical interpretation of three of Murakami’s short stories. The production used a cello piece I’d written based on a Turner Painting (Rain, Steam and Speed) for the scene when a Tokyo housewife finds escape from her drudgery of routine by forcing herself into a state of insomnia. The character was represented by four different actors moving in a constant short-cycled blur.

    I have never seen anything so utterly different onstage (though what was being acted was too good for my music I fear…). The combination of technology, astounding physical theatre and magic realism imprinted images and emotions that only surfaced a few weeks later when I realised I’d seen something exceptional.

    I’ve got the same sense from Norwegian Wood – the story is looping in my head like an infinished scrap of music. This man’s a genius. Now let’s leave him alone so he can keep at it…

    The author Haruki Murakami
    The author Haruki Murakami

  • Beijing in Miniature

    Beijing Olympics Closing Ceremony Rehearsal in Minature
    Beijing Olympics Closing Ceremony Rehearsal in Miniature © Philip Sheppard 2009

    Here’s a photo I took of the Beijing Olympics Closing Ceremony rehearsal from the sound control desk as the Chinese rehearsed their incredible finale at great speed.

    This was after we’d rehearsed our Red London Bus (containing Jimmy Page and Leona Lewis and a certain footballer) getting around the carpeted track.

    I used tiltshiftmaker to give it an extra level of unreality – see also picture of very large Taiko Drum from the same rehearsal.

  • Beijing 08 closing ceremony rehearsals

    [caption id=”attachment_5″ align=”alignnone” width=”500″ caption=”Rehearsals for the closing ceremony of the 2008 Beijing games